Like The Challenge, explores a subculture about which I couldn’t care less—Qatari falconry there, American stock-car racing here—and enthralls me by making it strange and beautiful. Dweck doesn’t push as hard into WTF abstraction; he’s got a clear thesis (also reflected in his still photography, apparently), celebrating the last vestige of a once-thriving community and lamenting its inevitable engulfment by corporate ooze. Yet this never feels like an issue doc, much less like a tract.